Jessie explained how, while in law school, she sang a duet with her mom at the Kennedy Center. Jessie then joined her mom to perform “Gone, Gone, Gone,” a cut from “Red Rock N’ Blues.” Following the collaboration, Carter handed the spotlight over to her daughter. Recalling how “I embarrassed her with the song,” Carter performed a bit of the latter, a track from 2011’s “Crazy Little Things.” Not one to play favorites, Carter co-wrote songs for both of her children: “Red Rock N’ Blues” track “Change a Little (Jamie’s Song),” featuring James on acoustic guitar, and “Jessie’s Song,” which Carter penned when her daughter was college-bound. Altman, an entrepreneur and former lawyer: “hero”-son James Altman, who also pursued careers in law and business and “angel”-daughter Jessica Carter Altman, who, as an attorney and singer, took career cues from both parents. While few, if any, singers could match the power of Aretha Franklin’s rendition, Carter and her backup vocalists sang the classic with aplomb.Ĭarter revisited another of her CBS specials - in this instance, 1980’s “Encore!” - to sing “Cloudburst,” a Lambert, Hendricks & Ross number from 2009’s “At Last.” The latter, a top 10 hit on Billboard’s Jazz Albums chart, marked the singer’s first studio set since her 1978 debut “Portrait.”Īfter noting the beauty of the full-moon backdrop, Carter discussed a song about “enjoying the passage of time”: James Taylor’s “Secret of Life,” recorded for “At Last.” Prior to taking fans on the “lovely ride,” Carter expressed appreciation for her family, undoubtedly a key factor in why, the singer said, “I choose to see a happy morning” upon waking up.Ĭarter, a resident of Potomac, Maryland, has two children with longtime second husband Robert A. Among them, an image with the legendary Ray Charles, with whom she performed a cover of “(You Make Me Feel Like) A Natural Woman” on her “Celebration“ special. Throughout the show, some of Carter’s favorite photos rotated via screens on both sides of the stage. Tania Hancheroff, Cindy Richardson-Walker and Kira Small provided backup vocals. The crew, whose players have worked with heavyweights in various musical genres, consisted of: leader Paul Leim, drums Glen Caruba, percussion Pat Coil, piano Shane Keister, keyboard Sam Levine, saxophones, flute and clarinet Kerry Marx, guitar and Danny O’Lannerghty, bass. In 1973, she released the double-sided single “It Might As Well Stay Monday”/“I Believe in Music” on EMI UK.Īmidst the record talk, Carter - a fun, animated, seasoned performer in fine voice - playfully mentioned that “I’m back on vinyl, they’re selling it outside,” a reference to 2018’s “Red Rock N’ Blues.” Carter dipped into the set, released via her own Potomac Productions, for a stirring cover of Al Green’s 1974 classic “Take Me to the River.”Ĭarter thanked the crowd for supporting Jazz at Lincoln Center, as well as the singer and her all-star band, all union members. To open the October show, Carter sang a medley of Kenny Loggins’ “I’m Alright” and Jerry Lee Lewis’ “Great Balls of Fire,” which featured on her 1981 “Celebration” variety special.Ī cover of Elton John’s “Philadelphia Freedom” followed, with Carter noting she met the music icon in 1972 - the same year she won the Miss World USA title - after signing her first record deal in England. Jazz at Lincoln Center’s Appel Room, which overlooks Central Park and Columbus Circle, provides an inviting, intimate experience for performers and fans alike. 12, with dual shows set for April 2020 at the venue. Carter returned to New York City’s Jazz at Lincoln Center on Oct. The versatile entertainer, who enjoyed a mid-2000s stint as Mama Morton in the West End London production of “Chicago,” debuted “This Life” in the early part of the year. In her latest live show “This Life: My Music - My Story,” Carter showcases material spanning her career. Carter, whose discography includes four studio albums and an EP, also performed in 1980 episode of “The Muppet Show” and a 1981 telecast of late-night variety series “The Midnight Special.” The award-winning star, who wrapped her career-making turn as the superheroine 40 years ago, went on to headline five CBS music specials from 1980 to 1984. By Jim Radenhausen, For the Pocono Recordĭuring a 1979 episode of CBS’ “Wonder Woman,” viewers learned that Lynda Carter’s appeal extended beyond her beauty, eagle-emblem red-white-and-blue costume, bullet-deflecting bracelets, boomerang tiara, magic lasso and invisible plane: she could also sing.
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